恥的子彈

Unspeakable

《恥的子彈》的「恥」作為創作核心，源自作者生活中覺察到的那些羞恥、背叛、違背道德的私密感受，展演方法以六名表演者的行為展現與觀眾在場域內的流動式行走、觀看、碰觸及參與做為路徑，包含表演者展示性的表演、觀眾的身體移動與視角選擇、觀演關係的互動與互換等，模糊觀眾席與舞台間的第四面牆，讓觀眾除了從旁觀角度外，更以身體的實際經驗去建構「恥」的可能感受與行為。

觀眾進入到演出空間像是參與了一種獵奇的「怪胎秀」，表演者們如同活的展覽品一樣被展示；以聖經「七宗罪」、生命中不可承受之輕（米蘭昆德拉,1984）、台灣文學作品我是許涼涼（李維菁,2010）、葬禮（王志元,2011）等作品段落作為展演中動作、關係與行為的發展靈感，表演者們在空間內從各自獨立的行為到彼此發展關係，不以舞台佈景去營造幻覺，而藉由個體碰觸、團體行為、環境氣味與氛圍、空間發生的事件等，強調表演者與表演者之間、表演者與觀眾之間、觀眾與觀眾之間的「現場性」。選擇以疏離的觀演關係為起點，過程中由表演者主動與觀眾發生關係，並且透過開放觀眾攝影、空間動線的調度與觀看方式的安排，將觀眾捲入成為展演的一部分，在展演時間的推動下產生「恥」的感受。不以觀眾的共感、共鳴為途徑，這樣的觀演形式被選擇的原因，正是因為「恥」萌芽於自身與他者交互作用後而產生的感受。

《恥的子彈》作為一個展演，企圖透過「恥」的產生機制與鏡框式劇場演出固定的觀演關係交相辯證，從流動式展演的創作形式直接回應恥的命題，實為一場有機的實驗場域。當作者不從戲劇慣用的形塑脈絡去編織一個演出，更強調觀眾作為劇場必要的「元素」，《恥的子彈》就是要讓觀眾不只是一個坐在黑暗中的旁觀者，更從流動式展演的體驗之中，以身體經驗去「閱讀」一個劇場作品。

《恥的子彈》
首演時間｜2017/12/08
首演地點｜濕地VENUE, 台北

– 製作團隊 –

製作人　｜蘇庭睿
導　演　｜張剛華
共同創作｜曾士益
文本概念｜陳弘洋
表演者　｜曾士益、楊迦恩、李安琪
張汶皓、許瀚中、簡驥
空間設計｜陳嘉微
空間設計助理｜吳映竺、李元運
燈光設計｜簡芳瑜
服裝設計｜陳玟良
肢體顧問｜陳逸恩
動作指導｜張汶皓
舞臺監督｜鍾品喬
導演助理｜林奕達
平面設計｜洪振峰
形象攝影｜洪振峰
劇照攝影｜李欣哲
影像紀錄｜林永杰
主辦單位｜明日和合製作所 Co-coism
協辦單位｜濕地 venue
贊助單位｜臺北市政府文化局

The work talks about “shame,” which is inspired by those private sensation: ashamed, betray and immoral. It is constructed by six performers and audience. Audience are allowed to walk around in the space and interact with performers. Rather than seeing, participating is necessary to experience this work.

To begin with the status of the show, performers are regards as living exhibits, which are displayed in front of the audience in the space: a freak show. Actions and movements in UNSPEAKABLE are inspired by the pieces of Seven Deadly Sins from Bible, The Unbearable Lightness of Being (Milan Kundera, 1984), I am Hsu Liang-Liang (Lee Wei-Ching, 2010) and The Funeral (Wang Chin-Yuan, 2010). Instead of creating illusions by settings in the space, six performers were asked to focus on presenting their liveness to the audience during that time and space. To begin with alienation, audience becomes part of the performance, when they take photos, peek others or interact with performers. Special relations between the performer and the audience started appearing at the moment. In order to bring out the issue of shame, this production is not intended to evoke resonance among audience, but tries to point out how does the feeling of being shameful establish. Shame manifests by encountering the others, and that’s the reason why the setting of the scene resembles a live exhibition space.

UNSPEAKABLE responded the core concept SHAME by its own presenting form: a live exhibition, which is questioning why the regular relation in theatre is telling and being told. Comparing with a conventional way to produce a theatre performance, the creator emphasized that audience as the most important element of theatre, who can SEE a theatre work by their physical experience instead staying and seating in the dark.

《UNSPEAKABLE》
Premiere Date | 2017/12/08
Premiere Venue | VENUE, Taipei

– Production Team –

Producer｜Ting Ruei Su
Director｜Kang Hua Chang
Co-creator｜Shih Yi Tseng
Script concept｜Hung Yang Chen
Performers｜Shih Yi Tseng, Chia En Yang, Li An Chi,
Wen Hao Chang, Han Zhong Hsu, Gee Chien
Movement director｜Wen Hao Chang
Space designer｜Javi Chen
Lighting designer｜Fang Yu Chien
Costume designer｜Wen Liang Chen
Stage manager｜Pin Chiao Chung
Director assistant｜Yi Da Lin
Graphic Designer and Photographer｜Anderson Hong
Still photography｜Hsin Che Lee
Trailer filmmaker｜Yung Chieh Lin

Organized by 明日和合製作所 Co-cosim
Co-organized by 濕地Venue
Sponsored by 臺北市政府文化局 Department of Cultural Affairs, Taipei City Government